Improbable stories behind some beloved TV theme songs – National | Globalnews.ca

May Be Interested In:Evaluating AI agents? Early adopters outline practical challenges


Back when television meant three American networks and two Canadian ones, virtually everyone was aware of everything on TV. Even if you didn’t like or watch a particular show, chances are you knew about it. And one of the things that may have seeped into your mind was a show’s theme song.

Even when the number of channels and programs expanded, TV theme songs were ubiquitous, with many of them becoming top 40 hits (Theme from SWAT, The Rockford Files, Greatest American Hero, Peter Gunn, Hawaii Five-O, Miami Vice, etc.) that generated additional awareness and cash.

There’s a subgenre of music fans who love the subject of TV themes, the kind who were delighted when multi-volume collections like the Television’s Greatest Hits series (via the Tee-Vee Toons label) started appearing in 1985. I wonder if those aficionados know these stories.

The Twilight Zone 

The original theme from Rod Serling’s anthology series has been covered many times. You’re probably humming it right now. It’s based on four dissonant guitar notes that signal that what we’re about to see is strange and disturbing.

Story continues below advertisement

The origin of the theme itself is a little disturbing. In an attempt at union busting and saving money, CBS decided not to commission a new composition for the show. Instead, it found two different pieces of stock music from the CBS library and spliced them together. The composer of that stock music, Marius Constant, was paid nothing beyond the one-off payment he got for creating it.

This was the original music for the program when it first appeared on Oct. 2, 1959, and used for the first season. The composer was Bernard Herrmann, an Academy Award-winning orchestrator whose career began in the ’40s and ended with Taxi Driver in 1976.

The spliced version that included Constant’s work was used for the second season onwards. The guitarist is Howard Roberts, a jazz player, using a 1952 Fender Telecaster.

Story continues below advertisement

Gilligan’s Island

Get the day's top news, political, economic, and current affairs headlines, delivered to your inbox once a day.

Get daily National news

Get the day’s top news, political, economic, and current affairs headlines, delivered to your inbox once a day.

If you’re of a certain vintage, you can probably sing the entire theme about the SS Minnow and its doomed three-hour tour right now. Written by producer Sherwood Schwartz and George Wyle, it was performed by a group called The Wellingtons (for the first season) and The Eligibles (every season thereafter). But when Sherwood Schwartz got the go-ahead for the pilot in 1964, he began with a different approach. He hired a young TV composer named John Williams — yes, the Jaws/Star Wars/Close Encounters/Harry Potter/etc. guy) to come up with an opening number.

He went the calypso route — a bit odd, given that the SS Minnow sailed out of Hawaii and not anywhere in the Caribbean. The pilot was never aired and the original theme song was forgotten — until the internet came along.

The Munsters

This theme, composed by Jack Marshal, was created by deliberately riffing off the Twilight Zone theme while adding a little Duane Eddy-inspired surf guitar. It was so popular that it was nominated for a Grammy in 1965 (it didn’t win). And there are lyrics written by series co-producer Bob Mosher. About the only place they can be heard is on a 1964 Munsters sing-along album.

Story continues below advertisement

Star Trek: The Original Series

Another classic. Creator Gene Roddenberry hired Alexander Courage, a composer and orchestrator for film, to come up with something appropriate for a galaxy-spanning five-year mission. Officially called Where No Man Has Gone Before, it’s famous for the William Shatner monologue declaring space to be the final frontier.

Then Roddenberry got sneaky. To ensure that he was also paid for the theme (a theme he paid to commission), he, too, wrote some unnecessary lyrics — unbeknownst to Courage. That way, Roddenberry could be credited as a co-writer and receive royalties every time the show aired. He may have been a visionary TV producer, but a lyricist he wasn’t.

Beyond
The rim of the star-light
My love
Is wand’ring in star-flight
I know
He’ll find in star-clustered reaches
Love,
Strange love a star woman teaches.
I know
His journey ends never
His star trek
Will go on forever.
But tell him
While he wanders his starry sea
Remember, remember me.

Story continues below advertisement

Wow. Not good. To my knowledge, a full version has never been released, though Lt. Uhura sings this in a DC Comics issue of Star Trek.

Cheers

Whenever I hear the opening theme from Cheers, I immediately shout out “NORM!” And hey, who doesn’t want to hang out at a place where everybody knows your name? This iconic theme was the work of Gary Portnoy and Judy Hart-Angelo. It took a while to get it right in terms of arrangement and instrumentation, but they eventually came up with one of the most beloved TV themes of all time. Here’s the original version.

Friends

In another universe, constant repeats of Friends are running with the producers’ original choice for the opening theme: Shiny Happy People by R.E.M. Michael Stipe, probably to his never-ending regret, turned down the offer, losing out on millions upon millions of dollars in royalties. That money went to The Rembrandts instead for I’ll Be There for You. Even then, The Rembrandts (who didn’t write the song) didn’t want the gig. But because they were the only band available on Warner Bros. Records, they were strong-armed into recording it. The iconic handclaps were a last-second addition.

Story continues below advertisement

Try to imagine this opening every episode of Friends.

Ridiculousness

The video blooper show seems to be the only thing running on MuchMusic these days. The endless repeats are great news to Mark Mothersbaugh of Devo. As a composer of music for film and TV, he was asked to come up with something quick for the show and decided to rework an old Devo song called Uncontrollable Urge, the lead-off track from their 1978 debut album, Q: Are We Not Men? A: We Are Devo!

Mothersbaugh now makes more than US$1 million a year from this bit of, er, ridiculousness. He makes more money from that than anything else. Nice work if you can get it, right?

Story continues below advertisement

 


&copy 2025 Global News, a division of Corus Entertainment Inc.



share Share facebook pinterest whatsapp x print

Similar Content

Disney+ is profitable, but loses 700K subscribers in Q1 2025
Disney+ is profitable, but loses 700K subscribers in Q1 2025
Russia agrees to resume dialogue with US ‘on all parametres’ of Ukraine war
Russia agrees to resume dialogue with US ‘on all parametres’ of Ukraine war
Will Smeed walking off the pitch
Will Smeed: Somerset batter to play all formats in 2025
The PowerSchool data breach is now under a Canadian privacy investigation - National | Globalnews.ca
The PowerSchool data breach is now under a Canadian privacy investigation – National | Globalnews.ca
My Bellow Americans: Fed Workers Again Pull Out Tattered Playbook and Songbooks to Fight Trump and Musk
My Bellow Americans: Fed Workers Again Pull Out Tattered Playbook and Songbooks to Fight Trump and Musk
US President Donald Trump giving out a speech.
How Trump’s Tariffs Could Drive Up Tech Prices
Breaking Ground: The Most Important Stories Today | © 2025 | Daily News